Arguably in Krsna lila—divine play—we fully encounter the “play that is played eternally before [the creation of] all creatures,” and also the notion that at play God is and we are (with him) “what we really are.” Therein Goddess Bhakti, who in her early stages manifests as a spiritual practice (sadhana) cleansing one’s consciousness (citta), in her mature expression of blissful spiritual emotion personified as Radha fuels this play between the individual self (atma) and God (Bhagavan).
The great sacred writings on Bhakti, especially Bhagavad Gītā, offer teachings of living the life of the heart. However, there are secret messages in these great writings that are easily and too often overlooked––yet they reveal the necessary pre-conditions of Bhakti. In this short talk, Graham w...
Modern yogis want to look outward and uplift the world as much as they want to look inward and uplift themselves. Bhakti-yoga offers a powerful prescription for connecting the inward turn that’s required for our contemplative practices with the outward turn that’s required for our social action. ...
Renowned Kundalini teacher Hari tells the story of Kundalini and its role in a radically embodied future.
